ode to a punk princess

It's always an honor to be asked to participate in the annual CWC International Blythe Doll Charity Fashion Exhibitions in Japan. This will be my third time, and I have always loved being part of this show, not to mention how amazing it is to have a design in the company of Blythe Dolls designed by many of my favorite designers--Prada, Gucci, John Galliano, Dolce & Gabbana, Issey Miyake, Sonia Rykiel, Vivienne Tam, Paul Smith, Anna Sui, and more.

The theme for 2010 is "Manga Girls Inspiration", and the manga character who inspired my Blythe is Nana Osaki. Something about the tragic punk star who grew up influenced by The Sex Pistols with an affinity for Vivienne Westwood struck a chord with me, right down to the lotus tatoo on her arm. I love the fact that despite her celeb status, Nana's life is so particular to Japanese pop culture, and yet her taste, like many young girls all over the world, is influenced by western fashion.

I planned all along to make a leather bustier as a nod to Vivienne Westwood, adding trashed eye makeup from all night clubbing, late 80s white sparkle lips, and Nana Osaki's signature hair cut. But at this point I started to have difficulties. My leather jacket for the character got held up and I decided to abandon the idea, which would allow me to put a lotus tatoo on her. The red plaid mini skirt I originally planned for her to wear with white cotton thigh-highs--a pristine version and a deconstructed one--after several incarnations got discarded as well. I felt that despite her punk roots, she would have a more elegant feel and finally decided that this manga-inspired girl would also resonate with Japanese haute couture. The final skirt, albeit a mini, was an homage to the dusty blacks championed by Rei Kawakubo and the sculptural aesthetic of designers like Yohji Yamamoto and Junya Watanabe.

It's this mixture of East and West sensibilities that makes this manga girl come alive for me, giving her a sense of glamour and mystery, and mirrors my own taste as a designer. Her pop aesthetic crosses definable boundaries, which is what manga ultimately has done.

More details on the show coming soon!
Labels: Blythe, Manga, Nana Osaki











































